Difference Between Poetry Slam, Poetry Reading And Spoken Word

 

A notable difference of a “slam poetry” and “spoken word poetry” from “poetry reading” is the execution, which tends to incorporate drama and performance rather than the traditional soft-spoken delivery, whereas poetry reading does involve written materials being used on stage.

A Poetry Reading is typically given on a small stage in a café or bookstore, although reading by prominent poets frequently are booked into larger venues such as amphitheaters and college auditoriums, 'to make poetry public'. Poetry readings almost always involve poets reading their own written work or reciting it from memory but readings often involve several readers (often called "featured poets" or "featureds"), although normally one poet is chosen as a "headliner".

A Poetry Slam is a competitive format that has become increasingly popular, especially in the United States, since its inception in the 1980s. A "slam" is the art of poetry presented in public as is the "open mic" event variant. “Slam poetry" is not really a form of poetry. A poetry slam is an event-format, where poets perform (within certain rules and restrictions) and a randomly-picked set of judges choose the winners. "Slam poetry" is simply a term used to refer poems performed at slams. Basically, a poetry slam is a poetry reading on steroids...it's a poetry reading with a competitive twist...poets take turns reciting their work within a certain time constraint, usually about 3 minutes. Judges are picked at random from volunteers among the audience who judge each poet based on the material and delivery. There is usually a preliminary round to narrow down the poets and then quite often a second and even a third round whereby the remaining poets recite different works from their initial one. There is therefore often varying strategies that slam poets will use as to what pieces they choose to do during each round. Obviously, all the pieces must be strong, but some slam poets might choose a humorous poem to start off with to get the judges' attention, then they may throw in something a bit more serious in the second round to show some range, and then they finish off with a show stopper to really have a dramatic impact in the final round. Last poet standing wins the poetry slam.

There are, of course, many different variations on this general theme, but the idea is always the same - slam poetry is as much about performance as it is the words. Successful slam poets have an energetic presence on stage and engage the audience and judges in a dynamic way through their poems. One of the mottos in slam poetry is that the best poem doesn't always win, because it so often depends on the personal tastes of the judges and how influenced they are by the crowd who can often get rambunctious and rowdy when their favorite poet takes the stage.

Obviously, there is a very distinct style of spoken word poetry that makes a good slam poem and certainly not all poetry translates very well to the slam format or performance in general. The best thing to do if you are interested in trying your hand at poetry slams is to attend a few before deciding to enter, just to be sure you feel you have what it takes to be a part of it. You may be an incredibly accomplished and published poet, but you might fall on your face in the slam format.

Spoken Word Poetry (or performance poetry) is simply poetry that’s written to be performed. What differentiates it from page poetry is that it’s an amalgamation of 2 art-forms - the literary art, and the performance art. Both go hand-in-hand in a spoken word poem. Hence, one must not judge a spoken word poem simply by reading it, because the performance is 50% of the experience. A spoken word refers to a poem written and has to be performed. It refers to poetry that is written for performance on stage. It can be performed anywhere the poet chooses to or wherever he has a platform to perform.

However, they’re both performance poetry. That involves reading the poem aloud, using body language, gestures, and facial expressions to pass the message well. Also, you’ll require a similar kind of preparation to write and perform them. Therefore, they have the same elements, procedures, and steps for writing and performance.

Some poems are meant to be written and read silently, but most are not! Poetry used to be entirely spoken; writing them down is only a modern necessity for publishing purposes, and even then, many poets are returning to speaking their poems since technology has improved audio recording. Spoken word poetry and performance poetry are terms for any poetry that is intentionally written with the goal of being read aloud. Slam poetry is performance poetry that is specifically performed in a competition.

At a typical slam, poets read their original work one at a time; the readings are very dramatic on purpose, and poets use their bodies and facial expressions to enhance their vocals. Sometimes poets are scored by a judge, who uses a point system; other times, the winner is decided based only on the audience’s reactions (snapping, cheering, shouting, “Mmhmm,” etc.). Unlike formal readings of other literature, which are quiet, in most poetry slams, the audience is not just allowed, but encouraged to make noise to show their approval.

There’s no formula for slam poetry. It can include rhyming and unrhyming verse in any meter or scheme. Though most slam poetry is modern, sometimes people will perform past and present poems written by others, too. Slam poems range from vulnerable, heartbreaking stories of pain and injustice to humorous near-comedy. Be careful not to generalize or stereotype what “is” or “isn’t” slam poetry. The performance is what makes it a slam, not the words themselves. 

Elements Of Spoken Word And Slam Poetry

Concrete language: Spoken word poetry makes use of concrete language. It includes words and phrases that give your audience a clear understanding of the topic. It also makes the poem clear and vivid. Also, it uses a language that appeals to the senses.

Attitude: It consists of how you perform your spoken word. You should perform it in a way that gives off the opinions and feelings behind it. You should be able to play out your poem. It’s the attitude you deliver that makes it really spoken word poetry and not just a recitation.

Repetition: It involves repeating some phrases or words to create emphasis. Such words or phrases easily stick to the minds of your audience. Also, it contributes to making the poem exciting.

Literary devices: Spoken word contains literary devices. They help to make the spoken word enjoyable and not more than just simple sentences. So, they show the audience what you mean and express emotions. They include simile, metaphor, personification, etc.

Rhythm: This refers to a pattern of sound that comes with stressing different syllables. It gives a kind of flow to the poem. Also, it uses sound to reinforce meaning. You can use some sound devices like onomatopoeia, alliteration, and consonance to create rhythm.

Rhyme: It involves the use of the same sounds at the end of a line. However, you can choose not to use rhymes. It’s according to your style. But use it moderately.

Conclusion

In essence, the main difference between slam poetry and spoken word is in the events that they’re performed. Apart from that, you prepare for both performances in the same way. Therefore, they have the same elements and framework when writing them. So, you can use the poem you performed as a spoken word to compete at a poetry slam. Now, you can easily write your piece, memorize, practice, and finally, perform it as a spoken word or slam poetry.



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Imararungu - Inka ya Nigeni

Rwiharirabukombe yazizonze
Y'imena mu izo nyambo
Mu ngarama yanze kwezwa
Ngo izamurikwe ku isango
Yaje ivuye i Rwanda.

Ni imararungu yo mu muhozi
Iruta izamuje z'inzumba
Mwa Nyaturo wataze ituro
Ry'ingoro nk'iyi igize izo izimbye
Na zimwe zindi zitinya irebo.

Yageze i Rangiro n'inkuyo yayo
Nigeni arebye ati ga ndatunze
Mabone ati ngaho tunga rwema
None iraganje iyi mararungu
Ndayikuranze ureke iz'iwanyu.

Ni ingeri mu zonsa ya mwiza
Mu nama y'inkamwa z'ino
Ni yo rukumbi ikwiza ibyansi
Za ngandurarugo ziyisunze
Ngo imaro itikubira kurya ibasha.

Nta makuza ikennye irakwije
Urwayo iruturiza ari ingendutsi
Ikaba Mwezi w'inzina mu Rwanda
Ko aho yatetse hazima ubworo
Incanda ziyonse zikanga ibere.

Ni ikihaze nkungu ya nkungure
Mu nkingi bagashye inkiko
Kuko ivumeye incame zirahunga
Bayoma inyuma insedutsi rukeye
Ba beza bigera bahiga abeza.

Ni imwe y'abeshi Mabone atuje
Kurya ahorera imihigo cyane
Akaba imanzi y'uburezi kimeza
Mu nkoto cyane atwimana twese
Ngo tunywe iyi mararungu imitaga.



                                              ©2009 Lakhpin

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Impizi Kigwa - Inkuru ya Ruberi k'Uwinkingi

Iyi ni inkuru ya Ruberi ubwo yatemberaga mu Murenge wa Uwinkingi ari kumwe na Mwambari maze agasaba itura. Lakhpin abara iyi nkuru nk'umuntu wari uhari akurikirana urugendo rw'abo bombi. Gusoma inkuru yose, reba hano.





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Fighting For Social Justice Through Advocacy And Poetry - Sara Saleh

Common freedoms lobbyist, displaced person backer, artist and creator - Sara Saleh's different abilities and encounters have driven her from examination to activism - from Western Sydney to Middle East outcast camps - as she continued looking for civil rights.

Sara Saleh is accustomed to shuffling different ventures simultaneously.

Since graduating with a Bachelor of Social Science - Government (Class I Honors) a little more than 10 years prior, Saleh has functioned as a common liberties lobbyist, evacuee campaigner and GetUp! Board part; she's likewise an honor winning writer and a pleased Bankstown 'Slambassador', whose work has been distributed in English and Arabic in both Australian and worldwide compilations, winning various honors.

Her composing has likewise been distributed by The Guardian, Fairfax and SBS, she's the co-manager of 2019 treasury, Arab, Australian, Other: Stories on Race and Identity, and is dealing with her presentation verse assortment and a novel - also getting a graduate degree in basic freedoms regulation and strategy, and Juris Doctor at UNSW en route.

"It presumably seems like a ton," Sara giggles, "yet I simply need to introduce this with expressing that there isn't a period that I can recall where I haven't been shuffling a few major undertakings or large jobs, whether formally or informally."

College days

Saleh initially began coming to the University of Sydney as a three-year-old. Her dad, as of late shown up from Egypt, was concentrating on his PhD in Engineering, and would drop her at the University's kindergarten.

"My father was shuffling numerous positions, as working people, recently showed up transients do, just like my mum - in addition to he was doing a PhD on top of it. Then, at that point, on ends of the week, he would do tests in the lab, and I would be there, simply chilling in the lab with him, despite the fact that I remember nothing, I was close to nothing."

"I consider in light of the fact that my father having done his PhD at the University of Sydney, the first in quite a while family to do as such, I generally realized I needed to go to USYD, as a method for respecting him and his diligent effort and my folks love of schooling. My kin likewise completely went to Sydney Uni - it's similar to a family custom now, I assume."

Saleh, the little girl of Palestinan, Egyptian and Lebanese transients, went to grade school in Australia, then, at that point, secondary school in Egypt, prior to getting back to Australia to go to college.

"As far as I might be concerned, a feature of grounds life was interfacing with similar understudies, basic scholars who had comparative qualities - as well as the chance to hear from speakers with true insight."

Get paid for the tasks you do online As a youngster, I think it truly had an effect, understanding that these individuals are genuine, and this is reachable.

"We were fortunate to have visitor speakers who had done a wide range of magnificent, odd and beneficial things all over the planet, and they had the option to carry that information directly to us into the study hall," Saleh says. "As a youngster, I think it truly had an effect, understanding that these individuals are genuine, and this is feasible."

Growing up, Saleh had needed to be an essayist or a columnist, yet felt that it had its constraints.

"I understood that it has its cutoff points in a spot like Australia, where in those days, 10 or quite a while back, the scene was totally different concerning portrayal. There were not many individuals who appeared as though me in mainstream society, nobody who was apparently Muslim, Palestinian or Arab. Regardless of whether I were to push limits and be that individual, I figure it would be undeniably challenging. I tracked down much more happiness and minding in different jobs - making it a stride further from reporting to promotion, which felt somewhat more involved."

Genuine experience

Subsequent to graduating, Saleh worked in research jobs, remembering for the University's Arabic and Islamic examinations office, as well as in grassroots activism, working with a few local area associations in Western Sydney. In spite of the fact that she cherished the scholarly community, she likewise appreciated being involved being on the ground, in the core of the activity, trying hypothesis.

She then, at that point, endured 10 years working with global guide and advancement associations, including Amnesty International and CARE International, making a trip to displaced person camps all through the Middle East, working in media backing, regulation and strategy roles.
However, she never truly quit composition - it proceeded with connected at the hip with her promotion work, and in 2012, she partook in her most memorable verse hammer occasion in Bankstown Arts Center.

At any rate we're ready to shape language and thought. At the point when you observe that interesting importance, that design that moves you to activity and that is the manner by which you make change.

"I met an entire pack of individuals through the local area who were artists, scholars and craftsmen and were very a piece over going to the city for verse and expressions occasions. Indeed, even the topic at those occasions wouldn't be as engaging to us and to our encounters, since they weren't exceptionally different," Saleh says. "The sorts of sonnets that we were performing were about issues that were vital to us, similar to displaced person privileges, Islamophobia or the way that we're on Stolen land."

"I realize that my sonnets aren't really going to close down the confinement community toward the stopping point, it won't end endless detainment it won't achieve strategy change tomorrow, however at any rate we're ready to shape language and thought. At the point when you observe that interesting significance, that design that moves you to activity and that is the means by which you make change."

Her sonnets have won two of Australia's most renowned verse praises - the Australian Book Review's 2021 Peter Porter Poetry Prize and the Overland Judith Wright Poetry Prize 2020 - she's the principal Australian writer to win both.

Saleh presently works in lawful guide parttime, as she thinks of her presentation writer assortment, The Flirtation of Girls/Ghazl el-Banat. She is likewise thinking of her presentation novel, an intergenerational story following the existence of a Palestinian family that winds up in Western Sydney - after she was granted the debut Affirm Press Mentorship for Sweatshop Western Sydney.
My objective is to have a general public where individuals are flourishing and all the more impartially treated and fair and where all of us are valued and can be what our identity is.

Saleh says she could never have done everything without a great deal of help around her.

"I've had a great deal of chances, you know, we don't get a long way ahead without help. I've been extremely fortunate to have individuals help to lift and account for myself and offer open doors, and I truly desire to have the option to do that for others also."

"Eventually, I want to have a general public where individuals are flourishing and all the more evenhandedly treated and fair, and where all of us are valued and can be what our identity is."

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